April 1999

 

MACH'S SPRING CONCERT

Our 1999 Spring Concert, Spring Rhapsody, will be performed Saturday, April 24 at 7:30 p.m. at Asbury United Methodist Church, 6101 University Avenue (just east of Allen Blvd.) in Madison. Admission is $5. Join us for an exciting performance followed by a reception.

A variety of music styles will be performed by the full six-octave choir and smaller ensembles. You may especially enjoy hearing the following:

Transfiguration, an original composition for handbells by Michael Keller. This work expresses a wide range of emotion, which seems to parallel the changing of the seasons from winter into spring - from the depths of the lowest octave in largo tempo, to feverish agitation as the music seems to embody the temperament of the wind and rain of late winter. The tranquillo section of the work points to the peaceful changing of the seasons, and the piece finishes with a buildup to a glorious C major chord, portraying in sound the tremendous beauty and warmth of the sun and the promise of new life in spring.

Spring Sea, an arrangement by Hirotaka Arai of Michio Miyagi's work. This piece features a distinctly Japanese flavor, with its exotic melody in choirchimes rising up out of the foam of the wave-like wash of its handbell accompaniment. You will undoubtedly be swept away by its elegant beauty.

Rhapsody in Blue, George Gershwin's stunning orchestral piece arranged by Douglas Wagner. With its distinctly American sound, including the tumult of the city, the clickety-clack of the wheels of a train, and the whooping, laughing clarinet opening, the rhapsody amazed its first audience and continues to dazzle audiences today. Its intricate harmonies and complex syncopation challenge musician and listener alike. Listen to how the piece, traditionally performed by piano and orchestra, comes to life on handbells and builds on the marvelous sound of the work.

Please post the enclosed flyer and share the concert information with your friends and colleagues. Thanks!


OUR NEWSLETTERS

We plan to send newsletters each November and each Spring. You are receiving this newsletter because you have, in some way or another, shown an interest in MACH. If you know someone else who might enjoy receiving our newsletter, let us know (see contact information below).

HOW TO CONTACT MACH

Write to MACH at P.O. Box 14658, Madison, 53714-0658;
   Call our Music Director, Susan Udell, at 271-3514;
       Or see our web page at www.madisonhandbells.org.

All contributions are tax-deductible.

WHAT IS MACH?

Madison Area Concert Handbells (MACH) is a six-octave, auditioned, community handbell choir in the Madison area. MACH is a nonprofit organization devoted to promoting the art of handbell ringing through high-quality performances and educational opportunities for skilled handbell ringers.

MACH gave 15 performances in 1998, including (most recently) performances at the Christmas Pageant at Monona Terrace, at the Madison Club, on Jonathan Overby's WHA radio program "Higher Ground", and at a Habitat for Humanity fund-raiser at the Esquire Theater. In addition, selections from MACH's prior performances have been broadcast numerous times by station WERN.

PERFORMANCE TIP

Situation: You're playing a wonderful piece of music which ends in a big, stunning final chord with a fermata. Everyone in the choir plays a note in the chord except you. They all ring their bells beautifully and move them in an arc together. You are reminded of the Rockettes, and you feel left out of the fun.

Solution: Fake it. Pick up any unused bell and turn it 90 degrees in your hand so the clapper moves side to side, rather than forward and backward. As your neighbors strike the chord, move your bell gently in a similar arc. (If you are nervous that your bell will make a sound, you can also put your gloved thumb on the casting to ensure during the motion that it is a dumb bell.)

When you come to our April concert, try to see whether MACH members ever use this technique!

CALLING ALL RINGERS!

Do you desire to join a fun and talented group of handbell ringers? Are you a director who'd also like to do some ringing? Here's the opportunity you've been waiting for! To schedule an audition for MACH during the week of April 26 please call Susan Udell, our Music Director, at 271-3514. Some of the things you can expect to demonstrate at the audition are basic handbell techniques, rhythmic coordination, and sight-reading skills.

An important note: MACH has a policy to uphold ringers' commitments to their current handbell choirs; they are encouraged not to leave their choirs to join MACH.


OTHER AREA CONCERTS

First United Methodist Church is pleased to be hosting a guest concert by Westminster College Handbell Choir of Princeton, New Jersey, directed by Kathy Ebling-Thorne, on Friday, May 14, at 7:00 p.m., at First UM Church, 203 Wisconsin Avenue, Madison. Free will offering.

MACH and Asbury United Methodist Church are pleased to be hosting a guest concert by the Agape Ringers, a 6-octave, auditioned, community group from the Chicago area, directed by David Weck, on Sunday, June 13, at 4:00 p.m., at Asbury UM Church, 6101 University Avenue, Madison. Free will offering.

Mark your calendars for MACH's next holiday concert performances on December 11 and 12, 1999. Let us know of your performances and we'll help spread the word.


TECHNIQUE TIP

Situation: A bell is rung on one beat and plucked on the beat immediately following. A martellato or a thumb damp might not achieve the right sound.

Solution: Use the "Ring-to-pluck-clapper-grab." (Try saying this 10 times quickly!) Ring the bell at the appropriate time, then while it's still vibrating, grab the clapper with your other hand as you would to pluck* (be careful not to touch the casting and damp the sound too early) and lower the bell to be damped on the table at the exact time you throw the clapper down to achieve the plucked sound.

*To pluck a bell, you hold the clapper with your index and middle fingers under/on the front side of the clapper and your thumb on top/on the back side of the clapper forming a triangle. As you throw the clapper down with pressure from your thumb, your fingers move out of the way with a flick of the wrist. Don't let your thumb rest on the clapper, or the sound will be deadened.

For a copy of a helpful "Handbell Notation" brochure about handbell techniques and their notations in print music, write to AGEHR, 1055 E. Centerville Station Road, Dayton, OH 45459-5503; call 800-878-5459; or email theagehr@aol.com.


WE STRIVE FOR FIVE

To accomplish its performance goals, MACH needs its own set of five octaves of handbells to complement our 6th octave. We are counting on the generous support of our concert audiences, donors, and advertisers to help us on our way to owning a full set.

We would like to thank the following recent donors: Beverly Richgels, Ken & Natalie Witte, Jim & Eleanor Bower, Ruth Petersen, Gene & Bea Dewey, Karen Walsh & James Berbee, Robert & Joyce Morrison, Mr. & Mrs. John Moses, and Rayovac Corp. A special thank you also to all those who advertised in our December concert program: General Casualty, Ward Brodt, Calming Effect Massage Therapy, Taco John's, Mennenga Tax & Financial Service, Sherwood Press, Studio 924, Bonita M Mason CPA, Nickel's Carpet Care, Sal's Pizzeria, Tellurian UCAN Inc., Klinke Cleaners, Grimm Family Dental Care, Moze's, and Cardinal Stritch University.


ATTEND A FESTIVAL CONFERENCE

What is a Festival Conference (F/C)? Generally, they are 3-4 days of intensive bell-ringing and getting acquainted with other ringers. You will find classes in ringing technique, director's concerns, tips for music arrangers, handbell maintenance, and change ringing at nearly every F/C. Among some of the more exotic classes are the physics of handbells, off-the table ringing techniques, make your own mallets, and history of handbells, and so on. Music and equipment vendors are well represented at F/Cs. It is quite possible to supply all of your group's music and equipment needs from one F/C (if you have the money and a way to get everything home). Possibly the most memorable part of a F/C is the massed ringing. Imagine up to 700 ringers polishing and performing pre-chosen, pre-rehearsed music as a single group (and smaller groups based on skill-level) under the direction of a highly-skilled, nationally-recognized conductor. It's every bit as impressive as it sounds! This year AGEHR is sponsoring two Western National F/Cs: one in Tulsa, Oklahoma, June 17-20, and one in Yakima, Washington July 1-4. Information about them can be found at AGEHR's web site (http://www.agehr.org/), from AGEHR office (800-878-5459), or in Overtones. If you find the distance a barrier, consider attending the Area V F/C, July 25-27, with Hart Morris, in Greencastle, Indiana (at DePauw University, just west of Indy, about 5 hours away from here). For information, contact June Hannah, 317-888-3278, junehannah@juno.com. Stay tuned to "Clapper Chatter" (the Area VII newsletter), for information about the Area VII F/C in the Twin Cities in June of 2000, also with Hart Morris directing. For a learning experience even closer to home, consider Handbell Week at Wisconsin Lutheran College in Milwaukee, June 14-17, 1999 - a performance workshop for experienced directors and ringers with clinician David Weck. For information, call 800-484-8105 (pin 2355). Individual ringers are welcome at F/Cs, but for a truly exciting and educational experience that will bond your choir more tightly together, attend a F/C as a group. The experience will be unforgettable!

ATTEND A FESTIVAL CONFERENCE What is a Festival Conference (F/C)? Generally, they are 3-4 days of intensive bell-ringing and getting acquainted with other ringers. You will find classes in ringing technique, director's concerns, tips for music arrangers, handbell maintenance, and change ringing at nearly every F/C. Among some of the more exotic classes are the physics of handbells, off-the table ringing techniques, make your own mallets, and history of handbells, and so on.

Music and equipment vendors are well represented at F/Cs. It is quite possible to supply all of your group's music and equipment needs from one F/C (if you have the money and a way to get everything home).

Possibly the most memorable part of a F/C is the massed ringing. Imagine up to 700 ringers polishing and performing pre-chosen, pre-rehearsed music as a single group (and smaller groups based on skill-level) under the direction of a highly-skilled, nationally-recognized conductor. It's every bit as impressive as it sounds!

This year AGEHR is sponsoring two Western National F/Cs: one in Tulsa, Oklahoma, June 17-20, and one in Yakima, Washington July 1-4. Information about them can be found at AGEHR's web site (http://www.agehr.org/), from AGEHR office (800-878-5459), or in Overtones.

If you find the distance a barrier, consider attending the Area V F/C, July 25-27, with Hart Morris, in Greencastle, Indiana (at DePauw University, just west of Indy, about 5 hours away from here). For information, contact June Hannah, 317-888-3278, junehannah@juno.com. Stay tuned to "Clapper Chatter" (the Area VII newsletter), for information about the Area VII F/C in the Twin Cities in June of 2000, also with Hart Morris directing.

For a learning experience even closer to home, consider Handbell Week at Wisconsin Lutheran College in Milwaukee, June 14-17, 1999 - a performance workshop for experienced directors and ringers with clinician David Weck. For information, call 800-484-8105 (pin 2355).

Individual ringers are welcome at F/Cs, but for a truly exciting and educational experience that will bond your choir more tightly together, attend a F/C as a group. The experience will be unforgettable!

Back to the Top


About MACH  |  Performances  |  Recordings  |  Support
Newsletters  |  About Handbells  |  Comments  |  Home